Gully Boy is a glorious blend of hip-hop and assured filmmaking, promises Sukanya Verma.
'God gave me a second chance to live and I had to make the most of it.'
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
The Natural History Museum's annual competition and exhibition, Wildlife Photographer of the Year has been the longest-running and most prestigious nature and wildlife photography competition that has been recognising the world's best nature photography every year since 1965.
'Does Avengers: Endgame close satisfactorily?' 'Does it beat that gold standard of superhero movies, which Mr Nolan gave us nearly seven years ago?' 'After watching on an IMAX screen at a midnight show yesterday, I would say, yes sir, it most certainly does.'
'And the old war horse has left nothing to chance. He campaigned vigorously in the by-election defying his age,' says Mohammad Sayeed Malik, the distinguished commentator on Kashmir.
Abhijith Gopinath aka A.B.I was mocked through school and college. He found solace in hip-hop and chose love over hate.
After working on Mr India and Sagar, Partho Sen-Gupta left to study filmmaking in France at 26. He returns with the dark and moody Sunrise.
The pilgrimage of a true GoT fan.
Aseem Chhabra lists his favourite Indian films of 2021.
'The coronavirus has provided each one of us a chance to press the 'reset' button. I take this National Medical Emergency to announce a process of national healing.' 'As of midnight tonight, my government will drop all talk of NRC and NPR, and my Muslim brethren should sleep peacefully that this is as much their country as mine.'
Raag Desh is one of the best films of the year, Sreehari Nair raves.
Stay away from theatres, I'd say. 50-kos away, even.
Raju Hirani on making Sanju.
Amongst the many characters in the Mahabharata, the impetuous Ashwathama comes across as a warrior lacking maturity and forethought.
'There are a lot of women out there in abusive marriages.'
'This is a film that trumpets out its sex -- it is content in being a girl's version of the archetypical boy's locker-room picture.' 'And if it was just that, that would have been fun too, but Lipstick Under My Burkha doesn't want to affect your senses, it wants to control your mind!' Sreehari Nair comes away unimpressed.
Streaming a diverse range of moods and moments, these films are a fairly commendable effort if not always riveting, feels Sukanya Verma.
We celebrate Bhattsaab and his greatest gems.
'Today is our independence day. Udta Punjab is not just a film anymore. It is a movement and one that has ended in the victory of democracy.'
'I am grateful to God that I am alive and he has made me differently-abled for a greater cause,' says Wing Commander Shantanu.
'He was not a matinee idol. He was overweight and mostly seen in crumpled clothes. His scruffy, unshaven look had become his identifier and he did not seem to give a damn.'
Nepal's remote mountainous areas have suffered "almost total devastation" from a powerful quake that claimed over 6,300 lives, aid agencies warned even as relief slowly began to reach far-flung regions amid fresh aftershocks that kept people on edge.
Superheroes have been embedded in our daily lives through comics and movies.
Director Gareth Edwards delivers a satisfactory reboot of the iconic monster movie, Godzilla.
'She isn't the same Aishwarya, who walks the red carpet at Cannes. She doesn't look like that at all in the film. That is half the battle won from my side.' Sarbjit director Omung Kumar tells us why he likes transforming his actors.
'The starting point of the Udta Punjab casting was that we didn't think stars would do a film like this, so we'd take non-stars. As the names kept rolling in and we had Kareena Kapoor and Shahid and Alia Bhatt, I was like yaar yeh ho kya raha hai?'
Almost three hours go like a breeze in the company of Bahubali's eclectic protagonists, where every single one makes an 'entry' designed for wolf-whistle.
Stunning photos have revealed incredible secrets of the underwater world, with the winners of the 2018 Underwater Photographer of the Year award announced. German photographer Tobias Friedrich has been named Underwater Photographer of the Year 2018. More than 5,000 images were submitted this year by photographers from around the world. UPY was once again kind enough to share some of this year's honourees with us below, with captions written by the photographers.
Kanu Behl's Titli is one of the best films from India in recent years, says Aseem Chhabra from the Zurich film festival.
'In Angamaly Diaries, dreams, kinks, small corruptions, cheap lives, and hopes are all given their due and that attitude frees us up to believe that perhaps there is more good than bad in the sum total of us.' 'This is a coming-of-age tale taken straight out of a diary written in blood,' says Sreehari Nair.
Transformers: Age of Extinction is a relentless clang-clang of metallic scrap and flying bullets, where there are more explosions than an entire day's production of popcorn at a multiplex.
'Only when you see it, you will understand how bad the situation is.' 'The soil in the entire mountain range is soaked with water now and that uproots the trees.' 'It is frightening to see the way the soil drags down the trees with great force.'
John Lang represented Rani Laxmibai in her legal battle against the East India Company to prevent the British from annexing her kingdom of Jhansi. Rediff.com's Archana Masih on a maverick Aussie who spent 22 years in India and became a friend in its dark days of bondage.
And then came the chief moment of Friday. If the courtroom had a soundtrack, Beethoven's 9th would be playing, providing a triumphant, dramatic prologue to the production of this last clip. A woman reporter was asking Mekhail about Sanjeev Khanna. He says clearly, without mincing words, emphatically: 'Never seen him. First time I am hearing his name.'
The people in charge of the PM's security need to shift the emphasis from the numerical (the number of policemen deployed) to technology-based solutions to sanitise the area where he resides, works and during his road journeys, says Anil Chowdhry, former secretary (internal security), ministry of home affairs.
'I changed because I wanted to excel myself at every point. It's important to look good and take care of yourself as there is so much competition. I have not done any surgery. My lips have always been like this. Today, my face is exactly how it was, when I was 16.' Shama Sikander up, close and personal.
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